Star Cast : Fahd Fazil, Rima Kallingal
DVD Features:  Dolby Digital 5.1 Surround, English Subtitles, NTSC All Regions
Music : Rex Vijayan Bijibal
Director : Aashiq Abu
Producer : O.GEE.Sunil

Tessa K Abraham (Rima Kallingal),  is an young 22 year old young nurse from Kottayam,  now working at Bangalore, the city of opportunities where no one has the time to care for others. She loves to be in the profession of nurse, which most considers being a thankless job. Basically an orphan with only a younger sister Tissa studying in Kochy, Tessa is living with two other girls, one who shares an inviting relationship with a married wealthy man, DK(Sathar). Like every malayalee nurses who hopes of flying abroad, Tessa also tries her luck  and in a recruiting agency meets Cyril (Fahad Fazil), who promises her of flying to Canada in a couple of months.

Though a little dumb and na�ve , Tessa is used to the ways of life in the metropolis and had  regular acquaintances with Cyril.  Soon after we find Tessa falling for adorable Cyril , calling and messaging each other, now and then and roaming around and boozing at the wee hours under the neon lights of the city . Tessa reveals herself not to be a virgin, but Cyril and his ample charms invites her to his place for the short period left for her in Bangalore. She moves on and makes love at his quarters. In one of the darker days, Cyril engages with fisticuffs with a boy of a high official and is forced to spend a couple of days away from his flat. And it is at this juncture that an unexpected guest comes in to turn the life of Tessa upside down.

'22FK' is a movie that stands apart for the perfect packaging and bold stands on gender and life. Here we have got a protagonist who doesn't parade herself as a virgin and one who doesn't repent for being so. Here you will find girls who openly admire the physique of boys around, much the similar way as the other sex do. And also are men  who openly asks for sex with that very chivalrous, gentle look and one who accepts sexist favours from the women he love and does all so that they never regret the relationship. From that old world of sacrifice and love, Aashiq opens his lens cover to the  panacea of materialism and  give and take relationships - a move that may have its effect on the narratives on the new movies on the making.