Darling (Tamil)
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Darling (Tamil)
Darling (Tamil)
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Nikki Galrani draws all the flirts and comes out as a decent actress too. Though her character isn’t something we haven’t seen in the recent past, it is a demanding one nevertheless. Galrani takes up the challenge and delivers elegantly.
 
But the main players, who drive the film forward keeping the boredom at bay, are Balasaravanan and Karunas. Their one-liners have great probabilities to join the list of the most popular memes of recent times and their animated expressions tickle hard. Though a crisp one, ‘Naan  Kadavul’ Rajendran makes his appearance very memorable. The English language that struggles out of him is sure to make the audiences get their ribs shattered with laughter.

 

DVD Features: Dolby Digital 5.1, Anamorphic WideScreen, PAL All Regions
English Subtitles: Not Available
Star Cast : GV Prakash Kumar, Naan Kadavul Rajendran, Nikkitha Galrani 
Music Director : GV Prakash Kumar 
Director : Sam Anton 
Producer : Allu Aravind, KE Gnanavelraja 
 
Story : 
 
 GV Prakash hits the bull’s eye with his songs and background scores too. Krishnan Vasant’s visuals are sharp and his tastes in lights seem impressive. Special mention to editor Ruben, whose cuts are precise and enhance the run. Impressive special effects (‘Naan Kadavul’ Rajendran’s Ghost Rider version is a good instance) and a good work with the sound designing contribute to the film’s technical strength. 
 
Yet, the movie faces some stereotypes. The team hasn’t pushed the boundaries in terms of thrills and chills. They have stuck to the already over-exploited pale faced, dark eyed, brassy and deep throated basic ghost template, which is the lone ‘not much fun’ element in the movie. There are also one or two over-exaggerated dialogues, dramatic acts and the slapsticks that are included purely to make the experience fun. Another down in the movie is a fairly loose first half. But everything is compensated with an air-tight screenplay in the post interval session.  Although the ‘cause’ is justified (on paper) in the climax, its inclusion seems forced.
 
Among the other actors, Prabhu's majestic screen presence, Sridivya's glossy appearance in the songs and Vijay Raaz's understated style make a mark. Manobala and Vidyullekha Raman continue to be typecast.
 
Anirudh has done his part with the songs which are already quite popular, and the background score is surely a backbone. The required impetus is given to the heroic moments, the sentimental sojourns and the investigative scenes, by the youngster's score.

 

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